A Rehearsal Dinner Above the City | The Charlotte, Seattle

There is something quietly special about the night before a wedding.

It’s softer.
More intimate.
Less structured.

When this couple told me they were flying in from out of town and wanted to add rehearsal dinner coverage, I immediately loved the idea. I typically photograph engagement sessions for my wedding clients. Those are always meaningful and full of anticipation, but this felt different in the best way.

This wasn’t posed anticipation.
This was presence.

The dinner was held at The Charlotte in downtown Seattle, perched high above the city on the 16th floor. It was a warm September evening…one of those rare Pacific Northwest days that feels like summer holding on just a little longer.

The sky was overcast, as it so often is in Washington, but somehow that made the evening even more beautiful. From above, the gray clouds softened everything. The views stretched wide through floor-to-ceiling windows with Elliott Bay shimmering in the distance, Smith Tower standing timeless, Lumen Field anchoring the skyline.

There’s a life happening down at street level.
Cars moving. People rushing. City noise. Momentum.

And then there’s another life up high in the sky.

Up there, everything slows. The city feels quieter. More intentional. Almost cinematic.

A Different Kind of Engagement Session

Between welcoming guests and hosting dinner, we carved out time for a few engagement-style portraits. Just the two of them, stepping away for a moment.

No timeline pressure.
No production.
Just a pause.

The skyline behind them felt surreal, as if the city itself were celebrating with them. The warmth of the evening light reflecting against the glass, the soft gray sky, the hum of downtown far below.

It was such a beautiful shift from the traditional engagement session format. Instead of meeting somewhere separate and curated, these portraits were woven into their story…the night before they promised forever, surrounded by the people who love them most.

Modern Elegance & Meaningful Details

Inside, The Charlotte’s modern interior created an elegant contrast to the soft skies outside. Clean lines. Artistic touches. And a striking “Breakfast at Tiffany’s” artwork anchoring the space.

Classic, iconic, a nod to timeless romance.

The décor felt intentional without being overwhelming. It allowed the focus to stay where it belonged: on conversation, laughter, toasts, and the quiet glances exchanged between two people about to step into marriage.

There’s something incredibly grounding about rehearsal dinners. It’s where stories are told. Where parents hold back tears. Where friends remember who you were before you met, and celebrate who you’ve become together.

It was a relaxed evening. A warm September sky. The city stretching endlessly below.

And the gift of witnessing a couple fully present, not just as bride and groom, but as hosts, friends, children, and partners, the night before everything officially begins.

Photographing Paris: A Core Memory, On Film

Three years ago, I photographed two pre-wedding portrait sessions in Paris.
The Ritz. The Louvre. Pont Alexandre III.

Even typing those names still feels surreal.

I remember standing in the early morning light, camera in hand, feeling like I was holding two realities at once:
I was living inside a core memory… and I was there to do a job.

There’s a strange tension in that.
The desire to fully be somewhere…to feel the air, the architecture, the hum of the city…while also carrying the quiet responsibility of creating something beautiful and lasting for someone else.

It felt cinematic. Almost unreal.

When I was in elementary, I watched the Olsen twins in their Paris movie and imagined what that city must feel like. The fashion, the romance, the bridges at sunset. Paris felt like a dream reserved for grown-up versions of myself; a future self I wasn’t yet sure I’d become.

And then suddenly, I was there.
Not just as a tourist. Not just as a dreamer.
But as a photographer.

An artist.
Working.

There is something deeply grounding about doing what you love in a place you once only saw through a screen. It collapses time. The younger version of me and the present version of me felt very close in those moments.

Why I Chose Film

For those sessions, I made it intentional to shoot both digital and film, but I prioritized film just as much.

Film has taught me to slow down.

Every frame costs something.
Each click is literal money.

Film demands intention.

It asks: Are you sure?
It asks: Did you really see that moment?

It forces me to trust my eye. To compose carefully. To wait. To feel.

What’s funny, and maybe even more poetic, is that I didn’t get around to developing the film until recently. Life happened. Work happened. Time passed.

And then one day, years later, I finally saw those images come to life.

It felt like stepping back into Paris all over again.

The light at the Louvre.
The quiet grandeur of the Ritz.
The golden glow stretching across Pont Alexandre III.

I experienced those memories once in real time…
and then again, newly, through the softness and depth only film can give.

There is something sacred about that delay. Film doesn’t rush you. It lets the memory age before revealing it back to you.

How Film Has Shaped My Digital Work

There is nothing quite like photographing on film.

And even when I’m shooting digital now, I carry that same discipline with me.

I don’t rely on rapid-fire bursts hoping one frame will be “the one.”
I move with intention.
I look longer.
I wait.

Film changed the way I see in both my professional work as well as in my personal everyday.

It taught me that photography isn’t about volume, it’s about presence. It’s about the art of noticing. It’s about honoring the moment as it unfolds instead of trying to overpower it.

Every time I get behind a lens, I feel like I’m photographing a movie.

But Paris felt like stepping inside one.

And the most beautiful part?
Three years later, I can still see it clearly.

That younger girl who once watched a Paris movie and dreamed?
She would not believe where we’ve stood.

My Hobbies

Image I took on film of La Seine during my time in Paris

Outside of work and school, creativity is where I feel most alive. I love photography and videography, especially when I can tell meaningful stories through light, movement, and emotion. Cinema and the fine arts constantly inspire me, whether it’s a beautifully framed film scene, a quiet museum moment, or the way art captures what words sometimes can’t. I’m also an avid journaler, using writing as a way to reflect, process, and stay grounded as life continues to evolve.

Traveling with my family is another deep joy of mine. We recently returned from a month-long trip to Japan, where my husband and I celebrated a milestone wedding anniversary and had the chance to show our daughters the place where we first met. It felt incredibly full-circle and meaningful to experience that together as a family. I love exploring new places together, slowing down enough to truly experience them, and creating memories my kids will hopefully carry with them as they grow. At the heart of all these hobbies is a bigger intention: to live a soft, peaceful life rooted in creativity, presence, and choice. My ultimate goal is to build a life that offers my family, especially my children, the freedom to explore their interests, dream boldly, and know that they have options. That, to me, is the truest measure of success.

Italian rooftops image on film by Aika Foz Photography
Image I took on film of my view while journaling and traveling in Naples, Italy